Acclaim For The Dream Of The Decade

Like many writers and artists who frequentedfriend, Keith Waterhouse, to write the play
Soho's The Groucho Club and The Coach andJeffrey Bernard is Unwell, based on a real incident
Horses, Afshin Rattansi first met Jeffrey Bernardwhen Bernard found himself locked in the pub
in the 1980s. A revival of the Keith Waterhouseovernight. Bernard was later portrayed in the play
play starring Tom Conti in which Bernard is theby Peter O'Toole, another Coach regular. But the
lead character, talking about life at the Coach haspub is best known for its fort nightly Private Eye
just opened in London's West End, coinciding withlunches at which the great and good are plied with
the announcement that Rattansi's novel "Thecheap food and even cheaper wine in the hope
Dream of the Decade" will be on sale at thethey will be indiscreet. One of the more recent
bar.The play is named after the line that oftenscalps was John Hemming, a new UK Liberal
appeared in the UK's Spectator magazine whereDemocrat MP who confessed to getting his
Bernard's column, "Low Life" would have appearedmistress pregnant last week after an Eye
had Bernard not imbibed too much to completelunch.Peter O'Toole was a perfect Bernard when
his piece. Rattansi recalls Bernard explaining to himhe appeared in the 1989 premiere. He had been
that he only drank to stay the pain of diabetes.warned so many times of his own demise. And
"But on a particularly sunny Saturday morning inhe responded by perfecting the look and manner
Groucho's, I asked why he wanted a Vodka Tonicof a very polite, but very insolent, ghost. As the
as there was sugar in the Tonic. He told me thatNew York Times has it, "he is theater through
sugar in tonic was okay. He then proceeded toand through, as witness his apprentice years at
drink himself into a kind of coma."The Dream ofthe Bristol Old Vic when he did one of the great
the Decade includes vignettes of characters thatHamlets, along with Chekhov, Beckett and John
frequented Soho in the 1980s and is a quartet inOsborne's Jimmy Porter, plus the dame in the
one volume. It was Norman Balon the famoustheater's annual pantomime. And then, after he
owner of the Coach and Horses up until a fewhad yielded a goodly part of his interior to
weeks before the revival of the play who saidsurgery, he came back on the London stage in
the novel should be sold from behind the bar of1989 in the play "Jeffrey Bernard Is Unwell," a
the infamous tavern. The new owners of theone-man show and a bow to being
rapidly changing pub say they will carry on theself-destructive, alcoholic but undefeated."Bernard's
tradition. "The Dream of the Decade - Thelife, as reconstructed in the play at least, is hardly
London Novels", which is officially to launch in theinspiring or even particularly eventful. Dedicated to
UK in the winter, is thus available at a special pricethe pursuit of drink, gambling and sex, he
in the most famous public house in London.Thestumbles from one minor crisis to another, each
play, often remembered as a one-man show butentirely of his own making. The highlights are
in fact packed with characters performed by aincidents of child-like silliness, such as his
versatile suporting cast of four, was a highlyinvolvement with a friend who runs a book on
successful vehicle for its original star Petercat-races that he holds in the hall of his Battersea
O'Toole, who appeared in the original run at theflat.The script is littered with the type of
Apollo Theatre and in a later revival at the Oldanecdotes which would fall flat if told by lesser
Vic. 'For the next three months, I'm going to bevoices. A less successful raconteur would find
playing a smoker, a drinker, a womaniser and ahimself mumbling, "It's funny if you're drunk,"
gambler - all the good things in life,' says Tomapologetically. The Waterhouse-O'Toole magic is to
Conti, who at 64 is a year younger than Bernardmake them funny when you are stone cold
was when he died. But Conti looks in far rudersober.Waterhouse's Bernard is a feckless,
health. He has often hinted in the past that he andirresponsible and self-indulgent drunk, who lurches
his wife of 38 years, actress Kara Wilson, havefrom one pointless bohemian distraction to
enjoyed an open marriage. There only daughteranother without a care in the world. He is also
Nina, herself an actress, has said that both hercharming, loyal to his friends, generous of spirit,
father and mother had enjoyed 'a string ofenormously witty, without malice or shallow media
affairs' during their marriage.'It is a gift of a role.cynicism. The play is a hymn to a beautiful loser, a
Jeffrey was a one-off - great fun and a veryfree spirit, enslaved by the spirits you pay for.In
likeable man. The last time I saw him was inthe "Dream of the Decade" characters are the
Wheeler's restaurant in Soho and he looked as ifsame even if thematically there are deeper
he wasn't going to last the day. He washistorical resonances with changing British and U.S.
completely unrecognisable from the man I hadculture and of how the media scene has
met years previously. It was really quitechangedas the newspaper barons of old gave
scary.'Another character in the novel, the ownerway to big corporations. Rattansi began his career
of the Coach and Horses, Norman Balon, has justwriting for the London Guardian newspaper, which
retired. Mr Balon, whose memoirs are titled You'reinforms the last novel in the volume, "Good
Barred! You Bastards, worked at the Coach &Morning, Britain." The London of "Dream" is far
Horses since 1943. The pub, which occupies amore inclusive that Waterhouse's Bernard's
prime location at the corner of Greek Street andLondon. And the bar in the second novel,
Romilly Street, provided inspiration for Bernard's"Reproach" is starker and colder than the Coach,
Lowlife column in the Spectator until his death infamous for its literray, artistic and theatrical
1997.Bernard's antics at the Coach also inspired hiscrowd.