| Champagne has always been seen as a thing of | | | | particularly pertinent when compared to |
| luxury. Most commonly found at celebrations be | | | | Champagne sales by volume which were down by |
| they weddings or on the podium at the Monaco | | | | 2.1% in the same year. The statistics finally show |
| Grand Prix, Champagne's image has always been | | | | that sparkling wine's share in the UK wine |
| one of success. But perhaps that is where the | | | | off-trade (by volume of sales) is currently 4% as |
| brand that is 'Champagne' suffers. If Champagne | | | | opposed to Champagne's 1% and still light wine's |
| is primarily associated with special occasions then | | | | 87%. One must remember that the 'volume of |
| it must alienate a large majority of wine | | | | sales' is not the same as 'value of sales' as it is |
| consumers solely on this point. Herein lies the | | | | here that Champagne takes the crown with a |
| problem - Champagne's success is also its failure. | | | | market share of 6% compared to sparkling wine's |
| The top brands dominate not only the UK market | | | | 4%. The main worry that the Champagne |
| but also those in the USA and Japan - names | | | | industry has when faced with the increasing |
| such as Moët et Chandon, Veuve Clicquot, | | | | dominance of good quality sparkling wine is that, |
| Perrier Jouët and Mumm crop up time and | | | | unless heavily discounted, Champagnes are not |
| again as the best sellers. Prestiges cuvées | | | | able to compete in the £7-£10 price |
| such as Dom Pérignon, Cristal, Krug lead the | | | | point which remains the domain of sparkling wine. |
| way in terms of value of sales with rappers such | | | | Cava is the most popular sparkling wine on the |
| as 50 Cent and P Diddy endorsing their products | | | | UK market at present with a total volume share |
| in their music, again ensuring the image of | | | | of 54.6%. Two producers continue to dominate |
| Champagne remains one of wealth and success. | | | | the market - CodornÃu and Freixenet, the |
| The exclusivity of Champagne and the confusion | | | | market leaders is Spain. They, like an increasing |
| surrounding the name does little to help the | | | | number of Champagne houses, own vineyards in |
| average consumer in their choice, however. As a | | | | the New World, California in particular to increase |
| retailer, there have been many occasions when I | | | | their stake in the global sparkling wine market. |
| have been asked to advise on 'Champagne' for a | | | | These wines are rarely seen on the UK market |
| wedding when the consumer has been talking | | | | however, possibly as a result of the strength of |
| about sparkling wine, especially Cava, rather than | | | | their Cavas. |
| Champagne itself. In this way, as I mentioned | | | | New World sparkling wines from California, |
| before, Champagne has become associated with | | | | Australia and New Zealand are also increasingly |
| celebrations and is often used as a 'catch all' term | | | | important in the UK market, especially brands |
| for both Champagne and sparkling wine. Studies | | | | such as Mumm Cuvée Napa, Green Point by |
| actually show that Champagne is an infrequent | | | | Chandon and Lindauer owned by Montana |
| purchase in supermarkets with an average of 1.8 | | | | (another brand owned by the now Allied Domecq |
| purchases per person, per year as opposed to | | | | Pernod Ricard conglomerate). It is interesting to |
| five purchases per person, per year for sparkling | | | | see that traditional Champagne houses have |
| wine as a whole (not including Champagne). The | | | | diversified into these areas. They seem to bridge |
| research also suggests that 60% of consumers | | | | the price gap between non vintage Champagnes |
| drink Champagne for social or entertaining reasons | | | | and cheap sparkling wines as they mostly retail at |
| and that the average age of a Champagne | | | | around £10-12 (discounts depending) without |
| consumer is between 35-64, although there is a | | | | compromising on the quality of the product to |
| strong female following of Champagne too in the | | | | which they lend their name. This seems to be an |
| 17-24 year old bracket. | | | | astute move in a market where deep discounting |
| In sum, it seems that Champagne retains an aura | | | | of Champagne is happening less and less and |
| of exclusivity, although, in the market place, the | | | | where brand image is so important. |
| word 'Champagne' often conjours up images of a | | | | To say that the growth of sparkling wines in the |
| sparkling wine drunk predominately on special | | | | market place threatens the Champagne industry |
| occasions to those who are not au fait with the | | | | would be untrue and the Champenois would |
| strict guidelines set by the CIVC to protect the | | | | certainly disagree with the idea wholeheartedly. |
| name and image of Champagne. | | | | Perhaps the key is to concentrate on marketing |
| There is no doubt that the market for | | | | their Champagne brands at the sparkling wine |
| non-Champagne sparkling wine is increasing, | | | | consumer who purchases quality sparkling wine at |
| especially in the off-trade where total volume | | | | a price point at which the Champagne houses are |
| sales increased by 8.1% in 2004. This is | | | | unable to compete. |